Jill Steinberg is a photographer who photographs the many incarnations of live performance from opera to theater to dance to jazz to orchestral and chamber music as well as taking stills during film and video shoots. Jill has captured performances at large venues: The Kennedy Center, The Krannert Center, Park Avenue Armory, the Barbican Centre, BEMUS in Serbia, Teatro Manzoni in Milan, and Etnafest in Sicily, The Monte Carlo Opera House, the Banff Theatre in Canada, The New Vic in NYC, Da Camera in Houston and Disney Hall in LA as well as smaller spaces like National Sawdust, Pioneer Works, Bay Chamber Music Festival, Juilliard’s Innovative Arts Dept, The Greene Space, St John's the Divine church. Jill has photographed indoors and outside, during daylight, at dusk and at midnight. She has worked with Beth Morrison Projects, Family Opera Initiative/ARDEA Arts, Heartbeat Opera, Sister Sylvester, and the terraNOVA Collective and has been published in The New York Times, The Wall Street Journal, Time Out New York, Time Out Amsterdam, BOMB, Drome Magazine, Music Listening Today, and University of California at Irvine's INTERFACE magazine among others. Jill Steinberg is the Board President of National Sawdust, a nonprofit venue whose mission is rooted in music discovery that is open, inclusive, and based in active mentorship of emerging artists, while building new audiences and communities of music devotees, Jill is a member and official photographer of the Up Until Now Collective that develops and produces new interdisciplinary work that explores empathy, intimacy, and community. She is also a Board member of Heartbeat Opera whose mission is to create incisive adaptations and revelatory arrangements of classics, reimagining them for the here and now. Jill is a Professional Company Member of OPERA America, and a former member of OPERA America’s Board of Directors. She and her husband, William Steinberg, are founding donors to the National Opera Center. In these various capacities, Jill is a champion of both artists and their art.
Jill Steinberg is a photographer who photographs the many incarnations of live performance from opera to theater to dance to jazz to orchestral and chamber music as well as taking stills during film and video shoots. Jill has captured performances at large venues: The Kennedy Center, The Krannert Center, Park Avenue Armory, the Barbican Centre, BEMUS in Serbia, Teatro Manzoni in Milan, and Etnafest in Sicily, The Monte Carlo Opera House, the Banff Theatre in Canada, The New Vic in NYC, Da Camera in Houston and Disney Hall in LA as well as smaller spaces like National Sawdust, Pioneer Works, Bay Chamber Music Festival, Juilliard’s Innovative Arts Dept, The Greene Space, St John's the Divine church. Jill has photographed indoors and outside, during daylight, at dusk and at midnight. She has worked with Beth Morrison Projects, Family Opera Initiative/ARDEA Arts, Heartbeat Opera, Sister Sylvester, and the terraNOVA Collective and has been published in The New York Times, The Wall Street Journal, Time Out New York, Time Out Amsterdam, BOMB, Drome Magazine, Music Listening Today, and University of California at Irvine's INTERFACE magazine among others. Jill Steinberg is the Board President of National Sawdust, a nonprofit venue whose mission is rooted in music discovery that is open, inclusive, and based in active mentorship of emerging artists, while building new audiences and communities of music devotees, Jill is a member and official photographer of the Up Until Now Collective that develops and produces new interdisciplinary work that explores empathy, intimacy, and community. She is also a Board member of Heartbeat Opera whose mission is to create incisive adaptations and revelatory arrangements of classics, reimagining them for the here and now. Jill is a Professional Company Member of OPERA America, and a former member of OPERA America’s Board of Directors. She and her husband, William Steinberg, are founding donors to the National Opera Center. In these various capacities, Jill is a champion of both artists and their art.
Jill Steinberg is a photographer who photographs the many incarnations of live performance from opera to theater to dance to jazz to orchestral and chamber music as well as taking stills during film and video shoots. Jill has captured performances at large venues: The Kennedy Center, The Krannert Center, Park Avenue Armory, the Barbican Centre, BEMUS in Serbia, Teatro Manzoni in Milan, and Etnafest in Sicily, The Monte Carlo Opera House, the Banff Theatre in Canada, The New Vic in NYC, Da Camera in Houston and Disney Hall in LA as well as smaller spaces like National Sawdust, Pioneer Works, Bay Chamber Music Festival, Juilliard’s Innovative Arts Dept, The Greene Space, St John's the Divine church. Jill has photographed indoors and outside, during daylight, at dusk and at midnight. She has worked with Beth Morrison Projects, Family Opera Initiative/ARDEA Arts, Heartbeat Opera, Sister Sylvester, and the terraNOVA Collective and has been published in The New York Times, The Wall Street Journal, Time Out New York, Time Out Amsterdam, BOMB, Drome Magazine, Music Listening Today, and University of California at Irvine's INTERFACE magazine among others. Jill Steinberg is the Board President of National Sawdust, a nonprofit venue whose mission is rooted in music discovery that is open, inclusive, and based in active mentorship of emerging artists, while building new audiences and communities of music devotees, Jill is a member and official photographer of the Up Until Now Collective that develops and produces new interdisciplinary work that explores empathy, intimacy, and community. She is also a Board member of Heartbeat Opera whose mission is to create incisive adaptations and revelatory arrangements of classics, reimagining them for the here and now. Jill is a Professional Company Member of OPERA America, and a former member of OPERA America’s Board of Directors. She and her husband, William Steinberg, are founding donors to the National Opera Center. In these various capacities, Jill is a champion of both artists and their art.
